We had a great show last night in St Louis for the VIVA HEALTH Starlight Gala. It is always such a pleasure to play with the talented Jeff Goldblum and Mildred Snitzer Orchestra. Here are some reshow photos from the greenroom and one after the show signing autographs. I am looking forward to our next show at the Eastman Theater with Jeff Goldblum in Rochester, NY!
Love Audio Books?! Listen to the talents of Annie Ellicott in a way you have never heard her before. Annie is a narrator for Sounthbooth Theater. They are full of fun fantasy stories for your listening pleasure.
I alway love performing with Jeff Goldblum and the Mildred Snitzer Orchestra but the SF Sketch Fest is an extra treat! For the third year in a row I have been lucky enough to travel to the SF SKetch Fest to perform with these lovely, talented people. #SFWeekly was there gave a great review! Read the whole article at the link below. Thank you @zackruskin & @idamoj for the review! http://www.sfweekly.com/culture/dispatches-from-sketchfest-2018-volume-ii/comments/
ALSO SEE CALENDAR
Jan 5th- All Star Farmhouse Orchestra with Brian Haas and Mark Southerland at Siberia, 10-1.
Jan 7th- Genital Sunning Tiny Orchestra at Silky Satin Lounge, 8-10
Jan 9th- Brian Haas, Simon Lott, Chris Combs and Mark Southerland at Hi Ho Lounge, 10pm
Jan 10th- Brian Haas Love Orchestra with Helen Gillet, Chris Combs, Simon Lott, Brad Walker, Mark Southerland and Cliff Hines at Gasa Gasa, 9-12
Jan 11th- with Mark Southerland and Helen M Gillet at Chickie Wah Wah, 9-10
At eight songs only in length, Lonesome Goldmine is an un-self-indulgently concise collection whose pieces move in woozy mid-tempo, pleasingly drifting yet rhythmically so, in a flutter of brushed drums, muted keyboards and gently plucked strings. Although the individual songs are clearly demarcated there is a sense of stream-of-consciousness to the lyrics which, alongside the consistently imaginative backing, creates a definite, cohesive, whole. It reveals some kinship (best illustrated on the excellent winding meditation that is “The Going Prayer”) to Linda Perhacs’s Parallelograms, in both mood and in Ellicott’s ability to create multi-tracked vocal structures, even including the occasional but always effective use of mild dissonance. Although an airy affair, at heart, Ellicott can reach some down-to-ground lyrical territory, as illustrated by “Babya’s” blunt “I went to the Bible, I went to the bottle, I went to the end of the line”.... Click here to read the complete article.
Click the link below to check out the interview with Annie Ellicott and Mark Kuykendall on OKHUSTLE.COM!!
https://okhustle.com/home/2016/6/28/annie-ellicott-and-mark-kuykendall
